By Rick Polo (Editor-in-Chief)
Release Date: 4/29/14
It’s been 12 long years since the world got their last taste of Florida-based Sludge act, Floor. The band stunned the underground metal and alternative community with their 2002 self-titled debut, only to disband two years later. Although the album and band were a little-known gem of that scene at the time, the years have been kind to Floor as word-of-mouth has garnered a strong cult following. This year, they return with their follow-up, Oblation.
Oblation picks up right were the band left off in 2004, offering an array of slamming down-tuned riffs and juxtaposed with soaring harmonious vocals. Unlike many others in the underground realm, Floor manage to maintain a balance of slamming guttural sludge metal with an almost knack for pop hooks strewn throughout.
Kicking off with the menacing title track, Oblation is ripping from the start. Tracks like “Rocinate,” “The Key” and “Love Comes Crushing” find a unique balance of dark brooding tones while remaining upbeat. Other cuts like “The Quill,” “War Party” and “Sign of Aeth” are almost more characteristic of Sludge metal, sounding somewhat along the lines of Jucifer.
Despite the overwhelming heaviness of Oblation, there is much more than meets the eye, or perhaps ear, to Floor’s music. There is an aesthetic more in tune with punk and alternative, as Floor often put their metal credibility on the line on Oblation, channeling something deeper. The heaviness is more about a feel, a mood, rather than a style. In some cases, the album may appeal more to fans of punk (and unfortunately hipsters) than fans of modern metal.
Oblation sounds as a natural progression for a band who may have left before the party got started. With a resurgence of Sludge/Doom/Stoner metal swarming through the underground, the timing couldn’t be more perfect for Floor to make a hopefully permanent comeback.