By Rick Polo (Editor-in-Chief)
Hans Rudolf Giger, better known as H.R. Giger, is a Swiss-born conceptual artist who’s designed some of Hollywood’s most terrifying images. Giger, born in Chur, Switzerland in 1940, is also behind some of the music industry’s most eyebrow-rising album art. Taking inspiration from the horror-fiction works of H.P. Lovecraft and images associated with the Necronomicon, as well as his own night terrors, Giger has been Hollywood’s go-to artist for the gruesome and macabre for over 40 years.
Giger began his career in the movie industry as a director, making small horror-tinged sci-fi films in his native Switzerland. He broke on to the international scene most notably for his work on the 1979 blockbuster, Alien. He designed the notorious monster after sketching down one of his own night-terrors, an ailment of which he frequently suffered. The Alien monster has become synonymous with the multi-million dollar franchise.
Aside from the Alien franchise, Giger has been involved in several major movies over the decades. He’s responsible for the most terrifying imagery in the horror flicks Poltergiest II: The Other Side and Killer Condom. He’s also credited for designing the Batmobile from 1995’s Batman Forever. Most recently, his original designs were credited in the 2012 horror/sci-fi Alien-precursor, Prometheus, and has been a creative consultant behind the computer game, Dark Seed.
Giger is also well-known in the music industry for creating some of the most controversial album artwork ever released by major labels. He’s the mastermind behind Emerson, Lake and Palmer’s 1973 album Brain Salad Surgery, which had to be edited due to its overtly sexual explicitness. He also designed the limited edition poster (rows of copulating genitalia) that was included in vinyl copies of the Dead Kennedys 1985 release Frankenchrist, which resulted in the arrest of the band’s frontman, Jello Biafra. More recently, Giger has designed a custom microphone stand depicting a naked woman for KoRn frontman Jonathan Davis and has a line of custom-designed signature guitars from Ibanez.
Giger believes that despite the dark and menacing tones behind his work, beauty can be found.
“Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don’t really think it is. Some people would say my paintings show a future world and maybe they do, but I paint from reality. There is hope and a kind of beauty in there somewhere, if you look for it,” said Giger in an interview with TIME Magazine.