Danny Brown

All posts tagged Danny Brown

The best 2016 had to offer…

RICK’S PICKS:

Artist of the Year: David Bowie

Album of the Year: David Bowie – Blackstar

Song of the Year: Nails – You Will Never Be One of Us

Music Video of the Year: Anti-Flag – Without End

Rock Act of the Year: Nick Cave and the Bad Seeds

Alternative Act of the Year: Radiohead

Rap/Hip-Hop Act of the Year: Danny Brown

Punk Act of the Year: Descendants

Metal Act of the Year: Nails

Best Collaboration: The Body/Full of Hell

Best Live Act: Swans

Best Local/Regional Live Act: Mississippi Gun Club

Best Album: (Local/Regional Act): Mississippi Gun Club – Shovelhead

Comeback of the Year: Metallica

Best New Artist: S U R V I V E

Lifetime Achievement: David Bowie

 

SARAH’S PICKS:

By Sarah Sepanek

TOP 10 SHOWS OF 2016 (no order but yeah Boris/SunnO)))/Sleep wins)

Cobalt/Mantar @ Mohawk: This show was just volcanic. Everyone looked like melting plastic. It was like we were in musical lava. Charlie Fell was just in glorious agony, sealed himself as frontman.

Dragged Into Sunlight/Primitive Man/Make @ Paper Tiger, SA: Possibly the hottest show ever, in some loading dock windowless garage. Very cerebral. Make and Primitive Man both gave good doomface; Dragged, however, faced the wall so if they were making metal faces, I didn’t see. Some jags pulled down the giant candelabra in front of the stage and nailed me in the chest so hard I wondered if I cracked a rib. But I stayed in that dark hot hell room till the end. They easily outdrew Big Business in the room next door.

Reverend Horton Heat w. Jello Biafra @ Continental Club: I’ve loved the Rev for going on 20 years; still a solid showman. Still damn charming too. Sometimes it’s just fun to dance and goof around. Jello Biafra had his crotch three inches from my face for half an hour and stage dived on me several times, but it was neat seeing them do Dead Kennedys songs together. Also I duked it out with some drunk girl up front and won. Any excuse to spray up my hair is a good night.

Gatecreeper/Oathbreaker/Skeletonwitch @ Barracuda: Definitely a show where the openers outshone the main act. Gatekeeper and Oathbreaker had both just released amazing records, and they didn’t disappoint live.

Crawl/BLK OPS/The Body/Full of Hell @ Sidewinder: Broken strings aside, this was a sonic strobe flash of otherworldly noise. Only caveat was that since they were playing just their one album together, it was kind of short.

Annihilation Time/Fuck You Pay Me @ Barracuda: Confetti, Jimmy Rose, Ohio, Erba – a farewell of Cleveland proportions came to Texas for two nights and Night Two was wild as fuck. Austin for all its weird-bragging is lacking in pure crazy at punk/hardcore shows. Tony Erba bashing his face into a pole was met with more concern than enthusiasm, but there was confetti and toilet paper and it was amazing for the “last” AT show.

Grim Reaper @ Dirty Dog: I didn’t expect this to be as much fun as it was. I usually balk at nostalgia tours because I mostly feel guilty at bands having to slough through Spinal Tap-esque sets past their prime, but Grim Reaper was a shitload of fun. Steve Grimmett was still in excellent voice, and he poked fun at himself, made dirty jokes between songs, and had fun posing with fans holding a giant sword. He even used a goddamn selfie stick. Thumbs up from me.

Torche @ Barracuda: The first of 2 times seeing Steve Brooks and the boys this year, and the first time I had seen one of his bands in at least 10 years. Definitely reminded of why he’s one of my favorite people on the planet, as he rolled on the floor wailing solos Marty McFly-style.

Insane Clown Posse @ Empire Control Room: Shows in ATX are a lot less … unhinged than I’m used to, so this messy trash circus was a pleasant reprieve. ICP played all of Riddle Box, which I had on orange cassette. Jugglo fam was friendly and festive. Not used to that level of camaraderie here either. Everyone was happy. And wet. I sprayed gallons of diet root beer Faygo, sang all the words. It was Shaggy 2 Dope’s birthday. I’ve been to the Gathering when it was at the Ledges so I knew to warn an ICP virgin not to wear his good shoes. Walked to the car soaked, down with the clown.

Sleep/SunnO)))/Boris @ Mohawk: This show happened by accident, due to a festival rainout, and I got tickets by the grace of god. Hundreds of angry fest pass-holders were left SOL as they reorganized the fest acts into new smaller venues and did a whole new ticket sale. The stage itself was gear porn, loaded with amps and gongs and drums and stacks and backlined within an inch of its life. I got fog machine cancer and couldn’t hear for a week but it was so good. So good. Surreally good. Once in a lifetime.

HONORABLE MENTIONS
X_X/Obnox @ Barracuda
Fister/Aseethe/Clrvoyant @ The Lost Well
Sleep brunch @ Mohawk
Vermin Womb/Pornohelmut @ The Lost Well
Destroyer 666 @ Satellite Bar, Houston
ITCHY-O @ Scoot Inn
Goatwhore @ Grizzly Hall
High On Fire @ Grizzly Hall
Daikaiju @ The Grand
Wreck & Reference @ Sidewinder
Karma to Burn/The Obsessed @ Dirty Dog
Antwon/Fat Tony/Xetas @ Barracuda
SURVIVE record release @ Barracuda
Absu/Expander @ Sidewinder
Bongzilla/Lo-Pan/Author & Punisher/Black Cobra @ Swan Dive & The Lost Well
The Body @ The Lost Well

Most ridiculous/embarrassing: Tie between Taake and Millions of Dead Cops
Biggest letdown: St. Vitus @ Grizzly Hall
Best onstage coat wearing: Tie between Absu (Proscriptor!) and Taake (leather jacket w sleeves pushed up w no shirt)
Best show that never happened: Levitation Fest – Runner up: l.o.t.i.o.n @ Electric Church (waited til 5 am only to have amps blow out or something; in retrospect that place was a death trap)

By Rick Polo (Editor-In-Chief)

danny-brown-old-artwork

Artist: Danny Brown

Album: Old

Release Date: 10/8/13

Rating: 4/5

Indie-rapper Danny Brown has certainly done his homework. As one of the leaders of the genre’s underground movement, just bubbling beneath the mainstream, Brown has gained some serious momentum over the course of his discography. With Old, his newly released third album, he’s again successfully smashed his own boundaries with one of the year’s most well-rounded and enjoyable rap albums.

Brown first hit the scene in 2010 with his ground-breaking debut, The Hybrid. After releasing the near-perfect XXX in late 2011 and stealing the show on featured tracks of the previous two EL-P records, Brown delivered Old in early October, again taking the rap world by brutal force.

Brown took a unique old school approach to the construction of Old, dividing it into two “sides,” as a traditional vinyl would, with two different vibes. Side A, titled “Old,” lives up to its title somewhat. It has a laid back, old school hip-hop vibe with soulful samples and grooving beats. Following opening tracks “Side A (Old)” and “The Return,” the album begins to show its chops, beginning with the third track, “25 Bucks,” which features Brown’s group, Purity Ring. The track seeps with Brown’s lyrical genius. From there, tracks like “Torture” and “Lonely” paint a more vulnerable portrait of Brown, with very self-actualizing and introspective lyrics. A trait not typical among many mainstream rappers.

Side B, titled “Dope Song,” has a high-energy, almost live feel to it. Also certainly not an approach taken by many modern rap artists, as their live performances are merely lip-synced over a pre-recorded beat. No, as those who’ve attended any of the summer festivals of which Brown performed this summer, he’s abrasive and in-your-face.

The second side of Old reflects that, especially with the lead single, “Dip.” The energetic performance factor reels the listener in from the start with an infectious up-tempo dance beat that will make you almost want to slam dance along with it. Fellow tracks “Smokin’ & Drinkin'” and “Handstand” keep the party going, until another stand-out track, “Kush Koma,” featuring talented newcomer A$AP Rocky, takes hold. As many of the songs on Old, “Kush Koma” presents a lyrical juxtaposition to the vigorous music that accompanies it. Brown’s realization of his own debauchery, and the toll it takes on his soul, make up the lyrics on the almost depressing tune. Finally, Old ends on an even more somber note, with the beautiful “Float On,” featuring Charli XCX.

When it comes to honestly, Danny Brown holds nothing back. Like contemporaries Kendrick Lamar and Tyler, the Creator, Brown is not afraid to shed light on his vulnerability, nor is he hesitant to admit to the not-so-flattering aspects of his life. However, he does so in such an earnest and beautiful way, you come to realize that he’s just giving his version of the blues. And with all the raw emotional and powerful songwriting, Old, in a modern sense, is as bluesy as it gets.