Failure

All posts tagged Failure

David Gilmour performing with Pink Floyd during their Space Rock era circa 1971.

David Gilmour performing with Pink Floyd during their Space Rock era circa 1971.

By Jennifer Elizabeth Rose (Social/Cultural Writer and Music/Arts Historian)

Experimental rock evolved into Psychedelic rock with artists like Syd Barrett in the 1960’s. After his departure from Pink Floyd, new lead guitarist, David Gilmore, helped solidify another subgenre offshoot and the 70’s brought progressive and psychedelic rock outfits such as Pink Floyd and Hawkwind to the foreground as they evolved into Space Rock. Space Rock which was characterized by increased instrumental passages (especially on keyboard/synthesizers) inspired by the science fiction themes and soundtrack music of the day and/or astronomy.

Delia Derbyshire, famous for her composition of the Doctor Who theme song was also a premier influential composer of other music within experimental genres in addition to being a great captivator and sonic painter of the beyond for incidental music in TV and film. Brian Eno, known as both a composer and a rock songwriter, was a major player as well. As for pop/rock songwriters they began to follow suit and added elements, but it is perhaps the lyrical themes that became the most influential, which became evident in other subgenres of rock such as folk rock (Donovan, Cat Stevens) and glam rock (T. Rex and David Bowie, whom worked with Eno.) In fact, the enchantment of space travel and the science fiction that British kids were being raised on became paramount in David Bowie’s most successful records, Ziggy Stardust and the Spiders from Mars and Space Oddity. And as Pink Floyd declared themselves Space rock in the70’s, Derbyshire’s Doctor Who theme could be often heard in some variation on the synth parts in performances of  “One of These Days,” from 1971’s Meddle.

More and more pop and mainstream radio rock was also being affected. Even before Gilmour made the decidedly Space rock turn with Pink Floyd after Barrett’s Psychedelic/early Space rock departure, the Beatles, the Stones, and the Steve Miller Band wrote songs with similar themes. Indeed, it became a cultural phenomenon more than a musical one. Perhaps the race for space during this period in history influenced this tendency.

Just like with any political movement in history, cultural and artistic history is often the victim of bandwagon mentalities and the genre suffered a marked decline in popularity until the 90’s with the exception of being cleverly evolved and disguised within Progressive rock (Rush, Yes) and Art rock.

Space rock began as an English phenomenon, and as such it saw its eventual revival in the late 80’s in British alternative rock bands which others could not describe the general sound as spacey or ambient. British bands such as Radiohead, Amplifier, Oceansize, Porcupine Tree, Kasabian, and Mugstar held these elements dearly into the 90’s and American bands went onto as well.  Autolux, Hopesfall, Lumerians,The Secret Machines, The Mars Volta, The Boxing Lesson, Cloudland Canyon, Angels & Airwaves, Tool and Zombi are prime examples, though they all fall into some varying sub-subgenres which begin to split hairs, they are all “spacey” bands.

In the 90’s the term resurfaced to describe the many bands that were labeled as

alternative rock bands but that (specifically) British and American audiences craved a bit more specifics in explanations to others. Shoegazing, stoner rock/metal (sludge) and dream/noise pop acts often saw greater success when sometimes using the words “space” and/or “spacey” to describe their sounds so fans could know what other bands they might enjoy. Kyuss, Slowdive, The Verve, My Bloody Valentine, Flying Saucer Attack, Loop, Ride, Shiner (band),The Flaming Lips, Failure,Year of the Rabbit, Cave In, Sun Dial, Hum, Orange Goblin, Spacemen 3, Spiritualized, and Mercury Rev employed the hallmark layers of sonic walls, textures and of course experimentation and many classified themselves as space rock or offshoot, dream pop before the term shoegaze and its sub-subgenres were even a thought.

Nowadays, although it is a more reputable descriptive term for many acts, the term only seems to be used by bands that decidedly use it. Other common descriptions indeed make it obvious that there is a blur in the experimental subgenres. The Flowers of Hell, Comets on Fire,and Flotation Toy Warningall of which who employ the old elements of 60’s/70’s Space rock in their own original ways. Seattle band, Lazer Kitty has a wonderful sound and a performance video of theirs can be seen below as well as a few other tracks that chronicle pivotal points in space rock.

Pink Floyd – One of These Days

Pink Floyd – Careful with that Ax, Eugene

Gong – Flying Teapot

Gong – I Never Glid Before

Spiritualized – Ladies and Gentlemen We Are Floating in Space

The Verve – Slide Away

Porcupine Tree – Fear of a Blank Planet

Lazer Kitty – Hyperion

In addition to this list other Picks of the Week that were played on air for this subgenre can be found on the Raw Alternative’s Facebook Page.

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The Replacements performing at Riot Fest 2013.

By Rick Polo (Editor-in-Chief)

As another year comes to pass, we again reflect on all that was in music. 2013 was a year that saw many music legends return and sadly, a few of them check out. Heavy hitters like Arcade Fire, Arctic Monkeys and Queens of the Stone Age dropped exceptional high-energy rockers, while relative new-comers Deafheaven, Savages and Disclosure continued to push the limits of artistic integrity. And not to mention there was a slew of colossal comebacks from some of the biggest and most influential forces in music.

Early in 2013, the iconic David Bowie announced a new album, his first of new original material in over a decade. The result was The Next Day. Released in March, The Next Day is a quiet yet moving record that perfectly showcases how gracefully Bowie has aged and how sharp his musical wit still remains.

February saw the release of the highly anticipated third album from Shoegaze/Dream-Pop pioneers My Bloody Valentine. In late 2012, guitarist and mastermind Kevin Shields teased fans saying that an album was being mixed and will be released timely. This was a huge deal for fans, considering that it hade been 22 years since the release of their seminal classic, Loveless. The band followed through, and m b v was released just a little over a month into the year. Not only was it worth the wait, but it proved My Bloody Valentine was still capable of creating really good music as it held up perfectly next to Loveless, and proved itself to be one of the best records of the year.

One of the biggest comebacks of 2013 was certainly the return of Black Sabbath, and for many reasons. It was to be the first new record with original singer Ozzy Osbourne in 35 years. Shortly after the band officially announced their reunion plans in late 2011, guitarist Tony Iommi was diagnosed with cancer. After a year of undergoing treatments, and surviving the unfortunate resignation of original drummer Bill Ward, Black Sabbath released 13 this summer and made the entire spectrum of Heavy Metal drop to its knees. 13 was a crushing, bluesy, heavy-riffing affair that reminded everyone again just why this band was so important to not only Heavy Metal, but Rock and Roll as a whole.

Alternative Rock saw the return of two of its most influential and important figures: Queens of the Stone Age and Nine Inch Nails. QOTSA’s …Like Clockwork, their first record in six years, was a swinging, groove-heavy Rock and Roll party with an all-star cast of guest musicians (Dave Grohl, Julian Casablancas, Trent Reznor, Elton John). Cuts like “My God is the Sun” and “I Appear Missing” hadn’t hit as hard since 2002’s Songs For the Deaf. NIN’s electro-funky Hesitation Marks harked back to 1994’s The Downward Spiral, with an older and more bitter Reznor at the helm. Although not quite as abrasive as their earlier records, new cuts like “Copy of A,” “Came Back Haunted” and “In Two,” as well as the highly visual and conceptual Tension 2013 North American Tour, still hold Nine Inch Nails to their standard of crushing electronic heaviness and dark prowess.

Don’t call it a comeback, they’ve been here for years… Industrial-tinged Alt-Metalers Filter delivered The Sun Comes Out Tonight, their most concise and impactful record since their 1999 hit, Title of Record. Led by the singles “What Do You Say” and “Surprise,” the band are seeing a career renaissance, as fans continue to discover and rediscover their severely underrated and under-the-radar releases, 2008’s Anthems For the Damned and 2011’s The Trouble with Angels.

Indie Rock pioneers Neutral Milk Hotel and The Replacements also had quite the eventful summer in 2013, both returning from decade-long hiatuses. Neutral Milk Hotel returned for a handful of festival dates and small venue affairs, hinting at the possibility of new material in 2014. Elliott Smith resurrected the legendary Replacements for a handful of performances as well as a covers EP. New material hasn’t been confirmed, but fans remain hopeful entering the new year that The Replacements haven’t quite said everything that they need to just yet.

Finally, with 2014 looming, Art-Rockers Failure and Hip-Hop titans Outkast have announced reunion performances throughout 2014, leaving fans ecstatic for the possibility of extensive tours and new material.

Unfortunately, 2013 had it’s share of major losses in the world of music. Country music legends George Jones and Ray Price bid farewell, passing away of natural causes after leading long and wonderful careers. Deftones bassist Chi Cheng, who was placed in a semi-conscious coma following a motorcycle crash in 2008, passed away on April 13. Thrash Metal experienced a major loss when one of its key players, Slayer guitarist Jeff Henneman, passed away on May 2 due to complications following a spider bite. The Doors’ iconic composer and keyboardist, Ray Manzarek, succumbed to cancer at age 71 on May 20. In many ways, Manzarek remains the father Psychedelic music, as his signature atmospheric organ tones provided the perfect backdrop to Jim Morrison’s gothic poetry and soulful swagger. And last but certainly not least, Oct. 27 saw the passing of the legendary Lou Reed. Reed was the founder of 60’s Art-Rock trailblazers The Velvet Underground and enjoyed an extremely successful and influential solo career that continued right up until his death.

Although 2013 saw the loss of a major chunk of diverse and influential musicians, there is no doubt their work will love on in the years and generations to come!