Film

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Model/Actress Colleen Hagerty, AKA Miss Kittee, on set of her upcoming film, Muck: The Feast of St. Patrick.

Model/Actress Colleen Hagerty, AKA Miss Kittee, on set of her upcoming film, Muck: The Feast of St. Patrick.

By Rick Polo (Editor-in-Chief)

2015 has certainly been a busy year for model and upcoming actress Colleen Hagerty. The young starlet has not only landed roles in two feature horror films, but her modeling talents have been published in several major publications including a long-running stint in the Horror/Erotica magazine, GOREgous Girls. She has visited the Playboy mansion, performed at the Gathering of the Juggalos and has appeared at a number of horror cons.

Hagerty, whose modeling alias in Miss Kittee, is looking to take her career to the next level. The Raw Alternative recently sat down with Miss Kittee to discuss showbiz, breaking out of a small town and all things horror!

THE RAW ALTERNATIVE: Tell us a little about yourself: How long have you been modeling/acting?

MISS KITTEE: I’ve been modeling for a little over two years now and I actually just got into acting maybe eight months ago.

RA: How about some of the films you’ve been featured in previously?

MK: I’ve done a lot of background work in some Indie films mostly in the Cleveland area. One of them is called Contract: Redemption, and it’s based off of the Hitman games. I would say about five months ago I decided to start going for speaking roles and I’ve actually been nailing the auditions.

RA: Tell us about your current film: What is it? Who will you be playing? Who’s directing?

MK: I’m currently involved in two, possibly three films, right now. One of them is called Muck: The Feast of St. Patrick. It’s a horror film and right now I don’t know my character’s name for it. The director of that one is Steve Wolsh. The second film is currently being called The Director’s Cut, until he decides on a more fitting name. It is also a horror film and my character for this one is named Raven. The director of if is Col. Richard Hunter. Then there is the third film that I just recently auditioned for and am waiting to hear back about. It’s called Gretchen’s Lock and its a horror film based off of Gretchen’s Lock out in Salem, Ohio. I auditioned to be Esther Hale, but they also had me read for two other characters, Amy and Jenn. This one is also a horror film and is being directed by Josh Menning.

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RA: How did you get involved with these projects?

MK: The first and third film I got involved with because of my one modeling group, GOREgous Girls. My photographer Eric “eRock” Littlefield was promoting the Muck movie and I asked if he could talk to the director about me and see if I could get even just a walk on role, and then it turned into going to the PlayBoy Mansion with him, meeting the director, and getting a bigger part. For The Lock film, one of the models found it and sent the link to eRock to post of all the models to see and I submitted and landed and audition for it. The Director’s Cut movie the director actually found me on Facebook though my modeling things and asked me to audition and that got me the role of Raven, a victim, for his film.

RA: You’ve had a very success career model thus far. Tell us a little about that world. Did your modeling work lead to your acting work?

MK: My modeling definitely did lead to my acting. If it wasn’t for my modeling I would have never gotten into GOREgous Girls or worked with other photographers and I probably never would have gotten half the opportunities that I have now. Modeling can be pretty crazy. You use a lot of muscles you didn’t think you would and sometimes you have to stand in the most uncomfortable position for what feels like forever, but in the end its honestly so worth it. I love every minute of it and wouldn’t trade it, or the people I’ve met, for the world.

RA: What do you enjoy most about what you do?

MK: The amazing people I’ve met and the crazy things I’ve gotten to do. I got to go to the PlayBoy Mansion with eRock and Jessy, who is our MUA (she does our crazy blood and makeup and our hair). I got to go to Vegas, I’m going to be going to Cape Cod for filming in early October. Jessy and her family have become like a second family to me. Along with the GOREgous Girls group in general. We are like one big family and I love that so much.

RA: What are some of your favorite horror movies, or favorite types of horror movies?

MK: It would have to be the oldies like Halloween and Friday the 13th. I really like the campy horror films too though. They aren’t scary, but still fun to watch, like Sharknado or Zombeaver.

Miss Kittee on the set of the music video for "Loose Cannon" by Restriktid.

Miss Kittee on the set of the music video for “Loose Cannon” by Restriktid.

RA: You recently starred in a music video. Tell us a little bit about that. Did you volunteer or were you asked to take part?

MK: The music video was awesome! It was for this Horrorcore/Muder Rap artist, Restriktid, from the Toledo area. I actually met him a few month prior at The Gathering of the Juggalos where I was at with my GOREgous Girls modeling group. Restriktid’s wife actually got a hold of eRock and asked him to ask his girls to get bloodied up and play victims or bodies in his new music video for his song “Loose Cannon.” That was a blast. I got to get prettied up and then bloodied up to jump around in a grave, a cage, even a well like area, just crazy things like that.

RA: What’s next for you? Is this the humble beginnings of a bright career?

MK: I truly am hoping this is a beginning to an awesome career! A lot of the people I’ve been in contact with are really interested in working more with me and some of the other girls. I’m just going to keep trying my best with my modeling and my now acting careers and see how far they can take me.

Hagerty has been featured in every issue of GOREgous Girls magazine since its inception. You can check out here appearance in “Loose Cannon” by Restriktid here, as well as some exclusive stills from the video shoot and more by clicking the links below.

Behind-the-Scenes: ‘Loose Cannon’ Video Shoot

Behind-the-Scenes: Muck: The Feast of St. Patrick

 

 

 

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By Rick Polo (Editor-in-Chief)

Who would have imagined that what began as a short poem 30 years ago by then-unknown artist Tim Burton would become the greatest Gothic romances and holiday-spanning works of all time?

Released in 1993, Tim Burton’s iconic masterpiece, The Nightmare Before Christmas, took the world by surprise. Before the film, Charles Dickens’ A Christmas Carol was probably the spookiest holiday tale in existence. That all changed after years of pushing the idea, and repeated edits as not to completely traumatize Disney’s overwhelming young audience. It is a film that spans not one but two holidays, and now ranks as a staple Halloween and Christmas flick, an achievement not seen by any other major motion picture.

The Nightmare Before Christmas also serves as a go-to film for young Gothic culture. For the last 20 years, it has not only turned all the fluffy Christmas hype on its head, but told a tale of dark twisted romance, the ultimate teenage fantasy. Along with his genius visual art, Burton is also a master story tellers, with a glimpse of childish innocence piercing through the dark.

Two whole decades after its release, the film continues to inspire young artists and poets. Featured this month are various pieces of fan art discovered through hash tags across the web. These are true testaments to The Nightmare Before Christmas‘ impact on not only modern counter-culture but genre-spanning multi-platform film, visual art and poetry.

By Rick Polo (Editor-in-Chief)

Giger designing the iconic creature from the "Alien" franchise.
Giger designing the iconic creature from the “Alien” franchise.

Hans Rudolf Giger, better known as H.R. Giger, is a Swiss-born conceptual artist who’s designed some of Hollywood’s most terrifying images. Giger, born in Chur, Switzerland in 1940, is also behind some of the music industry’s most eyebrow-rising album art. Taking inspiration from the horror-fiction works of H.P. Lovecraft and images associated with the Necronomicon, as well as his own night terrors, Giger has been Hollywood’s go-to artist for the gruesome and macabre for over 40 years.

Giger began his career in the movie industry as a director, making small horror-tinged sci-fi films in his native Switzerland. He broke on to the international scene most notably for his work on the 1979 blockbuster, Alien. He designed the notorious monster after sketching down one of his own night-terrors, an ailment of which he frequently suffered. The Alien monster has become synonymous with the multi-million dollar franchise.

The Alien monster created by Giger.
The Alien monster created by Giger.

Aside from the Alien franchise, Giger has been involved in several major movies over the decades. He’s responsible for the most terrifying imagery in the horror flicks Poltergiest II: The Other Side and Killer Condom. He’s also credited for designing the Batmobile from 1995’s Batman Forever. Most recently, his original designs were credited in the 2012 horror/sci-fi Alien-precursor, Prometheus, and has been a creative consultant behind the computer game, Dark Seed.

Giger is also well-known in the music industry for creating some of the most controversial album artwork ever released by major labels. He’s the mastermind behind Emerson, Lake and Palmer’s 1973 album Brain Salad Surgery, which had to be edited due to its overtly sexual explicitness. He also designed the limited edition poster (rows of copulating genitalia) that was included in vinyl copies of the Dead Kennedys 1985 release Frankenchrist, which resulted in the arrest of the band’s frontman, Jello Biafra. More recently, Giger has designed a custom microphone stand depicting a naked woman for KoRn frontman Jonathan Davis and has a line of custom-designed signature guitars from Ibanez.

Giger believes that despite the dark and menacing tones behind his work, beauty can be found.

“Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don’t really think it is. Some people would say my paintings show a future world and maybe they do, but I paint from reality. There is hope and a kind of beauty in there somewhere, if you look for it,” said Giger in an interview with TIME Magazine.