Katianne Timko

All posts tagged Katianne Timko

By Rick Polo (Editor-in-Chief)

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Artist: K808

Album: Runaways

Release Date: 12/12/15

Rating: 9.5/10

Youth. Reckless abandon. Free spirit. The best days of your life…

This is exactly the summation of Runaways,’ the second release from art-pop singer/songwriter/producer K808. A soundtrack to the days of young adulthood; on the cusp of life but not having everything figured out, and not necessarily being concerned with it either. Runaways is a perfect example of a coming-of-age tale of young millennial love; a fun and upbeat banger with a deep complexity and sharp wit beneath the bubbly surface.

K808, formerly know as the indie-pop songstress Katianne Timko, has undergone quite the transformation over the last two years. After making quite a name for herself on the regional Indie scene, Timko took a huge risk. Rather than continuing on her already successful musical course, she completely reinvented her image and her art, fully becoming and embracing K808, a forward-thinking “pop” artist, with emphasis on the artist.

For her new EP, Runaways, K808 took on the role as songwriter, composer and producer, to impressive results. The production quality is top notch, with beats and hooks for days. Each of the six tracks all loaded with superb club-ready bangers, commanding dance floor dominance. The EP is bright and fun, with a sense of both self-awareness and artistic wit of veteran songwriter, which is exactly who K808 is. Her new sound does not feel like a gimmick or a cash-in, but a very interesting artistic risk, one of which contains a heavy dose of heart and soul.

Runaways kicks off with the slamming “Young + Hungry.” The track’s lines “Play me like vinyl babe, I want you like an autograph, I want to run away and you’re the one who makes me laugh,” and “My heart is beating still, we’re millennials and we’re never satisfied. We’re young and we’re hungry and we’re having the time of our lives,” perfectly sum up what the EP and K808 are representing.

“The Dark Side,” featuring rapper GRIZZLY, was the first single released some months back. The Track boasts yet another banger, with strong songwriting from both K808 and GRIZZLY for an interesting crossover appeal. “Pool House” is a fun track and perhaps the poppiest number, not far from modern Katy Perry or Taylor Swift. From there, the complexity begins to rise with one of the EP’s sharpest tracks, “Sleeping With the Enemy.” K808 sings ” I like my love delusional,” is the post-hook of the song, indicating the true naivety and complications of young love in an ever-evolving society.

Closing tracks, “Valentine (Ready, Set, Go)” and “H20” offer more huge hooks and powerful words from a young woman who is quickly coming into her own, but still has the youthful abandon on her side.

All in all, Runaways marks a very pivotal point for K808, both as a musician and songwriter. She has stepped out from behind the shadow of her acoustic guitar and ventured into an entire new world of musical discovery. Her knack for a song melody, huge hook, and superb production techniques are impossible to ignore. Key tracks include “Young + Hungry” and “Sleeping With the Enemy.”

And Runaways is a rare and beautiful occasion where an artist goes pop without selling out, but marking an even bigger and bolder statement. As a songwriter, K808 is continually expanding her horizons. Whether its love songs, or heartbreak, or a fun-in-the-sun track like “Pool House,” her approach is one of maturity and experience, with a strong artistic sense behind all of it. Runaways is artistic evolution, and it’s exciting to see what direction K808 will take next.

Runaways will be available on iTunes on Dec. 18.

By Rick Polo and Jennifer Elizabeth Rose (Editor-in-Chief and Social/Cultural Writer and Music/Arts Historian)

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Artist: The Zou

Album: Love Kills Part Two

Release Date: 8/22/15

Rating: 9.7/10

Two long years have passed since The Zou released Kills Part One. The album was a real emotional rollercoaster of well-crafted pop love songs, dragged through barbed wire of sonic experimentation; a notable trademark of the band. The album literally left fans hanging on the edge of their seats, waiting for the follow-up. Now, with the release of Kills Part Two, fans can finally breathe as the Northeast Ohio Indie Rock staples have unleashed the masterpiece that was years in the making.

After a slew of lineup changes and delays, Zou mastermind Khaled Tabbara has teamed up with a plethora of noteworthy musicians to craft what could easily be his finest effort to date. Featuring the talents of Bernadette Lim, Katianne Timko, Billy LaGuardia and Tabbara’s brother Rached to name a few, the eclectic sound each musician brings to the table only adds more color to canvas. Producer Pete Drivere lends his signature polished-yet-somehow-gritty-rock-and-roll sound, for a record that transcends nearly every era of rock, yet still sounds vitally fresh.

Kicking off Kills Part Two is the simply-titled “Love.” A Baroque Pop tune with vocal harmonies reminiscent of Rubber Soul-era Beatles or Pet Sounds-era Beach Boys. The opening track is airy and tense, perfecting leading into “Drop A Dime,” a Ben Gibbard-esque sounding number, that could fall somewhere between his work with either Death Cab For Cutie or The Postal Service.

“I Was A Tyrant” follows with a more Americana-meets-Baroque Pop vibe, and painful lyrics hinting at a one-sided relationship. From there, the hard-rocking “Ooglie Booglie” takes flight, giving a post-punk angst, both sonically and lyrically, not unlike that of The Pixies or perhaps some of Black Francis’ solo endeavors. The track features a standout riff that takes the record off into a whole other direction before taking another left turn with the following tracks.

The Katianne Timko-produced “Holy Moses” can best be described as “holy drums!” The electronic drums pound underneath a well-crafted pop song. The modern, but certainly not gimmicky, production feels more like The Zou taking a sonic step forward rather than a trendy cash grab.

Finally, Kills Part Two concludes with the Doo-Wop vocal harmonies of “Mon Dieu” (an early acoustic version performed on The Raw Alternative can be viewed here) and the climatic rocker, “Gun Moll.” With a collage of sound that evokes Animal Collective, “Gun Moll” featuring soaring guitars and some of the album’s most intense lyrics, leaving the listener again, at the edge of their seat craving more.

All in all, Kills Part Two features, some of, if not the finest music The Zou has produced to date! Standout tracks include “Ooglie Booglie,” “Holy Moses,” “I Was A Tyrant” and “Gun Moll.” With various nods to his influences, Tabbara takes his band to new heights, while still retaining enough of the classic sound fans have come to know and love. Lyrically, the album examines all the various angles of love and the multiple feelings it can provoke, much in the way of Paul McCartney, My Morning Jacket’s Jim James or even Martin Gore. Sonically, Love Kills Part Two is widely spread, much in the way of Pet Sounds, Sgt. Pepper’s or even Dark Side of the Moon. It’s indicative of a band reaching a creative high, but certainly not peaking just yet.

The Zou will be giving a performing at Suzie’s Dogs and Drafts in downtown Youngstown on Saturday, Aug. 22 as band of the official release of Kills Part Two.