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Model/Actress Colleen Hagerty, AKA Miss Kittee, on set of her upcoming film, Muck: The Feast of St. Patrick.

Model/Actress Colleen Hagerty, AKA Miss Kittee, on set of her upcoming film, Muck: The Feast of St. Patrick.

By Rick Polo (Editor-in-Chief)

2015 has certainly been a busy year for model and upcoming actress Colleen Hagerty. The young starlet has not only landed roles in two feature horror films, but her modeling talents have been published in several major publications including a long-running stint in the Horror/Erotica magazine, GOREgous Girls. She has visited the Playboy mansion, performed at the Gathering of the Juggalos and has appeared at a number of horror cons.

Hagerty, whose modeling alias in Miss Kittee, is looking to take her career to the next level. The Raw Alternative recently sat down with Miss Kittee to discuss showbiz, breaking out of a small town and all things horror!

THE RAW ALTERNATIVE: Tell us a little about yourself: How long have you been modeling/acting?

MISS KITTEE: I’ve been modeling for a little over two years now and I actually just got into acting maybe eight months ago.

RA: How about some of the films you’ve been featured in previously?

MK: I’ve done a lot of background work in some Indie films mostly in the Cleveland area. One of them is called Contract: Redemption, and it’s based off of the Hitman games. I would say about five months ago I decided to start going for speaking roles and I’ve actually been nailing the auditions.

RA: Tell us about your current film: What is it? Who will you be playing? Who’s directing?

MK: I’m currently involved in two, possibly three films, right now. One of them is called Muck: The Feast of St. Patrick. It’s a horror film and right now I don’t know my character’s name for it. The director of that one is Steve Wolsh. The second film is currently being called The Director’s Cut, until he decides on a more fitting name. It is also a horror film and my character for this one is named Raven. The director of if is Col. Richard Hunter. Then there is the third film that I just recently auditioned for and am waiting to hear back about. It’s called Gretchen’s Lock and its a horror film based off of Gretchen’s Lock out in Salem, Ohio. I auditioned to be Esther Hale, but they also had me read for two other characters, Amy and Jenn. This one is also a horror film and is being directed by Josh Menning.

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RA: How did you get involved with these projects?

MK: The first and third film I got involved with because of my one modeling group, GOREgous Girls. My photographer Eric “eRock” Littlefield was promoting the Muck movie and I asked if he could talk to the director about me and see if I could get even just a walk on role, and then it turned into going to the PlayBoy Mansion with him, meeting the director, and getting a bigger part. For The Lock film, one of the models found it and sent the link to eRock to post of all the models to see and I submitted and landed and audition for it. The Director’s Cut movie the director actually found me on Facebook though my modeling things and asked me to audition and that got me the role of Raven, a victim, for his film.

RA: You’ve had a very success career model thus far. Tell us a little about that world. Did your modeling work lead to your acting work?

MK: My modeling definitely did lead to my acting. If it wasn’t for my modeling I would have never gotten into GOREgous Girls or worked with other photographers and I probably never would have gotten half the opportunities that I have now. Modeling can be pretty crazy. You use a lot of muscles you didn’t think you would and sometimes you have to stand in the most uncomfortable position for what feels like forever, but in the end its honestly so worth it. I love every minute of it and wouldn’t trade it, or the people I’ve met, for the world.

RA: What do you enjoy most about what you do?

MK: The amazing people I’ve met and the crazy things I’ve gotten to do. I got to go to the PlayBoy Mansion with eRock and Jessy, who is our MUA (she does our crazy blood and makeup and our hair). I got to go to Vegas, I’m going to be going to Cape Cod for filming in early October. Jessy and her family have become like a second family to me. Along with the GOREgous Girls group in general. We are like one big family and I love that so much.

RA: What are some of your favorite horror movies, or favorite types of horror movies?

MK: It would have to be the oldies like Halloween and Friday the 13th. I really like the campy horror films too though. They aren’t scary, but still fun to watch, like Sharknado or Zombeaver.

Miss Kittee on the set of the music video for "Loose Cannon" by Restriktid.

Miss Kittee on the set of the music video for “Loose Cannon” by Restriktid.

RA: You recently starred in a music video. Tell us a little bit about that. Did you volunteer or were you asked to take part?

MK: The music video was awesome! It was for this Horrorcore/Muder Rap artist, Restriktid, from the Toledo area. I actually met him a few month prior at The Gathering of the Juggalos where I was at with my GOREgous Girls modeling group. Restriktid’s wife actually got a hold of eRock and asked him to ask his girls to get bloodied up and play victims or bodies in his new music video for his song “Loose Cannon.” That was a blast. I got to get prettied up and then bloodied up to jump around in a grave, a cage, even a well like area, just crazy things like that.

RA: What’s next for you? Is this the humble beginnings of a bright career?

MK: I truly am hoping this is a beginning to an awesome career! A lot of the people I’ve been in contact with are really interested in working more with me and some of the other girls. I’m just going to keep trying my best with my modeling and my now acting careers and see how far they can take me.

Hagerty has been featured in every issue of GOREgous Girls magazine since its inception. You can check out here appearance in “Loose Cannon” by Restriktid here, as well as some exclusive stills from the video shoot and more by clicking the links below.

Behind-the-Scenes: ‘Loose Cannon’ Video Shoot

Behind-the-Scenes: Muck: The Feast of St. Patrick

 

 

Rob Zombie performing at Packard Music Hall in Warren, Ohio. Photo by Brandon Judeh.

Rob Zombie performing at Packard Music Hall in Warren, Ohio. Photo by Brandon Judeh.

By Brandon Judeh (Music Reporter)

Halloween arrived early Monday night, when Rob Zombie and his “Super Monster Sex Action Tour” rolled into W. D. Packard Music Hall in Warren.

Set to a backdrop of famous monsters such as Frankenstein’s Monster, the Wolfman and King Kong, Zombie and company rocked the intimate venue for nearly two hours.

Coming out in a cloud of fog and red lights, Zombie, guitarist John 5, bassist Piggy D and drummer Ginger Fish kicked things off with 2013’s “Teenage Nosferatu Pussy,” much to the fans delight.

The sold out crowd erupted after the first few notes of White Zombie classic, “Super-Charger Heaven” which set the tone for the rest of the night.

The layout of the concert was much more low key than a typical Rob Zombie show, using backdrops, lighting and fog to set the atmosphere.

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Photo by Brandon Judeh.

A big contrast to the high-end productions Zombie has been known to put forth in recent years. Missing were the giant robots, fire and big screens.

Surprisingly, this did not take away from the show; rather it proved that Zombie and his team could put on a high quality show, no matter the setting.

“Living Dead Girl” and “Dead City Radio and the New Gods of Supertown” stood out as two of the best songs of the set, with Zombie’s energetic stage persona leading the way.

As the quartet hammered through “House of 1000 Corpses,” “Meet the Creeper,” and “Never Gonna Stop” they switched gears by throwing in a couple of covers.

In between “Thunder Kiss ‘65” the band stomped out heavy renditions of the Ramones classic “Blitzkrieg Bop” and Alice Cooper’s “School’s Out.” With Zombie adding “I’m sure sometime in the 22-year history of the Ramones that they came through your town. If you didn’t see them, well, you fucked up. If you weren’t born yet, that’s your problem.”

The Ramones did indeed roll into nearby Youngstown in July of 1976, when they played their first concert outside of New York at the Tomorrow Club inside of the old State Theater.

Joey Ramone also met future members of the “Dead Boys” that night.

Guitarist John 5. Photo by Brandon Judeh.

Guitarist John 5. Photo by Brandon Judeh.

As the band returned to the stage after a brief intermission (with the crowd chanting “ZOMBIE, ZOMBIE!”), John 5 came out and proved why he is one of the best Metal guitarists.

His gritty guitar solo of the National Anthem was the perfect segway into Grand Funk Railroad’s “We’re an American Band.”

Aside from that, John 5 showed all night long why Zombie works closely with him on albums and with the music he provides for some of Zombie’s movies (see Lords of Salem).

As the night slowly closed to an end, John 5, Piggy D and Fish played a slow, sludgy and heavy rendition of “The Lords of Salem” before closing with the fan favorite, “Dragula.”

When the band left the stage and the lights went on, the crowd continued to chant, but this time the beautiful horror show was over.

 

Idle Shades, left to right: vocalist/bassist Angelo Scordo, drummer Anthony Rapone and guitarist Josh Wakeford.

Idle Shades, left to right: vocalist/bassist Angelo Scordo, drummer Anthony Rapone and guitarist Josh Wakeford.

By Frank Meyers (Opinion Nation)

I just got a chance to sit down and take a listen to Idle Shades recent album release Picture Perfect. and I first want to say way to go guys. The Idle Shades are one of the few bands still around that I remember from when I first started going downtown to local shows. I have plenty of memories watching them open shows for Johnie 3, who as we all know is no more. I can honestly say that over the years they have done a great job at fine tuning their material and working their way into their own little thing. Their live shows are high energy and non stop rock, so I was anxious to see how that transferred over to CD.

From the opening chord on the first track, “Leaving Me Behind,” to the final chord of the 11th track, “Tomorrow,” Idle Shades put together a very tight and great sounding record of straight up rock and roll. The music is upbeat and energy driven, the vocals are very fitting for what they are doing, and the lyrics are well written and for the most part give the feeling of real thought and a sense of sincerity to some extent. There are moments in a few songs where I can catch a slight reminder of old school Bad Religion vibes in there, which I really enjoyed. All around this album was worth the wait.

I am glad to see that another great band from Youngstown has put out some take no prisoners rock and roll and didn’t conform to anyone else’s standards but their own!! The music scene in Youngstown is looking up people, and the Idle Shades have been working their asses off for years now and are a big part of what is going right in it, and Picture Perfect is definitely an album that is right there at the top and will be in my playlist for years to come. So, I just want to say thanks to the band for their hard work they put into what they do for our listening pleasures!!

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By Frank Meyers (Opinion Nation)

So, April has come and gone already. Let’s take a look back and see what Youngstown had going on. I can tell you that good times rolled and the beers flowed. It was a bit of a slower month in the way of shows for this guy here. With that being said, the shows I did make it out to where all awesome.

One of the highlights of April for me was getting to see the Guilty Pleasures at Cedars on Good Friday. This is a group that I completely enjoy watching and listening to. It is made up of some older yet still very entertaining musicians from Youngstown and surrounding areas. Although there set is made up of cover songs, they still have a passion and love for what they are doing up on the stage, and you can feel a sense of gratitude between the band and all the fans that come out to their shows. You may not be getting the thundering, fast paced, take no prisoner style that many of the younger local bands are bringing to stage nowadays, but there is nothing wrong with a fun, laid back, live in the moment type of show from time to time, and the Guilty Pleasures are definitely the ones who will give you that.

Also in April, we had the return of White Cadillac to the stage for their first show of 2014.They made their return at the Royal Oaks with guest The Whiskey Daredevils. There was definitely a great turnout for this one as White Cadillac made sure the fans remembered why they have been waiting so eagerly to see them live again. These guys own not only the stage, but the entire venue when they show up and start to play. Just watching the crowd interaction and feedback you would think you were at a stadium show to see one of the great metal bands from the 80’s or something. Hard not to have a good time.

A very appreciated change of pace came later in April when Cedars hosted Penguins in Bondage: The YSU Frank Zappa Ensemble. The second time seeing this and it was just as good if not better than the first. Would have never thought that I would enjoy anyone doing covers of Frank Zappa songs, especially a college ensemble. Well, lets just say that those thoughts were silenced very quickly. This was a great night with a very diverse crowd of people attending. There was the young crowd in their band t-shirts and jeans, drinking their cheap beers while listening to some great music. Then the other part of the crowd was the older more mature part with their dress clothes and glasses of wine. Sitting idly at the bar enjoying the show from a distance. Not that there is anything wrong with either, it is actually quite refreshing and in some ways a testament to the diversity in the Youngstown music scene.

These are just the highlights of the shows I was able to attend in April. There were other things that took place in April such Chapless Larry at Chippers Sports Bar which I heard was a great show. I know Amnesty for Astronauts played in Fernengels in Salem with Days Before Empires, and I can only imagine how great that must have been. Also, I know Steven and the Damned had a show or two I was unable to make. Along with others that I am sure were great shows. Unfortunately you can’t make them all.

May is now here and some stuff to keep your eye out for: May 10 at Cedars The Spastic Hearts, Turbo Lovers, and special guest from Chicage Voice of Addiction. May 10 at Crawlspace Amnesty for Astronauts and Pilot the Mind May 16 at Cedars Baroque Monody, Pilot the Mind, and Harnessing the Sun Just a few, be sure to pay attention for other dates in the near future.

Orwellian left to right: guitarist Seth Kesinger, drummer James Shaw, vocalist Ian Pethtel, bassist Mark Moats and guitarist Rickie Palmer. Photo courtesy of facebook.com.

Orwellian left to right: guitarist Seth Kesinger, drummer James Shaw, vocalist Ian Pethtel, bassist Mark Moats and guitarist Rickie Palmer. Photo courtesy of facebook.com.

By Rick Polo (Editor-in-Chief

Imagine George Orwell’s nightmare vision of a totalitarian state. Human thought and emotion have been eradicated in order to make way for a mechanized, mundane existence. Then, suddenly, mankind’s natural individuality begins to spread like a virus. A bloody revolt ensues, and the power of the human soul, ideas and expression, are all raging against the system.

Now, imagine a soundtrack to this conquest: The brutality; the struggle; the rage. Northeast Ohio’s aptly named Orwellian comes to mind in doing so.

Orwellian is an extreme metal outfit comprised of some the of the area’s HEAVIEST hitters. Lead by Kitchen Knife Conspiracy frontman Ian Pethtel on vocals, the band features guitarists Seth Kesinger (ex-IO) and Rickie Palmer (Postpwn3d), bassist Mark Moats (ex-Dawn Abandoned) and drummer James Shaw (ex-Paradym). Their fusion of death metal, black metal and grindcore, along with the unique influence of the members’ various projects, offer a distinctive sound spanning nearly the entire spectrum of extreme heavy metal.

“We kind of take a little bit of everyone’s influences and throw them into one style,” said Moats.

Orwellian has been in the works for several years. After the demise of IO, Kesinger began writing music with a handful of others before solidifying the final lineup. With the final addition of his former bandmate, Pethtel, Orwellian had come full circle and began focusing their creative energy on something new and distinct.

“It’s really just about bringing something to the table,” said Kesinger. “Then whoever’s there or not there can really just start expanding upon it. It’s really free, anybody can bring an idea to the table. If it sucks we’ll tell you, if it’s awesome we’ll keep it.”

“We’re not trying to stick to a certain genre or sub-genre. If it works, it works. We’re very critical, but it works. We’re not afraid to tell each other if something’s not working,” added Pethtel.

The raw emotion and range of influence is certainly present in the band’s music. The chugging riffs of “Novel of Despair” and the slamming-yet-melodic “The Gift” offer a look into what Orwellian does best; the thinking man’s death metal. These tracks perfectly surmise the rage of an individual whose been stripped of their being through a hierarchy of power. Pethtel’s signature growl offers an unbridled sense of brutality, matched flawlessly by the band’s very intense, yet very musical style. Tracks like the Fear Factory-esque “Tyrant” and “Abandoned (in Flames)” also indicate the band’s socio-political quip, living fully up to their name.

Orwellian debuted live at the Crawlspace Concert Club in Girard, Ohio in March of this past year. Since then, they have brought their brand of metallic brutality to dominance with explosive performances at the Outpost in Kent, Ohio. According to the band’s official Facebook page, this is only a taste of what’s to come:

“Here the story only begins for Orwellian. Where they’re going and what they do is left in their own hands. All we know is… it won’t be pretty.”

Orwellian is set to play Wedgewood Ramps in Austintown, Ohio alongside Youngstown-based thrash outfit Chaos Reigns, Warren metalcore masters Among the Fallen and post-hardcore punks Them Bastards on May 10. They will also be returning to the Outpost on May 31 for a headlining set with support from Chaos in the Sky and Cherry Poppins.

Stream exclusive Orwellian tracks here.

Orwellian Poster

The Days Before Empires, left to right Devon Arend, Brad Witherstine and Billy Page. Photo courtesy of the band's official Facebook page.

The Days Before Empires, left to right Devon Arend, Brad Witherstine and Billy Page. Photo courtesy of the band’s official Facebook page.

By Rick Polo (Editor-in-Chief)

As the seeming endless pool of unique original talent continues to pour out of every corner of the MahoningValley, one trio is bringing the raw intensity of unrefined punk rock to the forefront.

The Days Before Empires, a new-to-the-scene three-piece punk outfit hailing from the likes of Salem, Ohio, is stripping it back to the bare bones of rock and roll. Consisting of Guitarist Brad Witherstine, bassist Billy Page and drummer Devon Arend, the trio take a simple yet powerful approach to their music. And while most major rock acts are racing to the controls of Auto Tune and ProTools, these Northeast Ohio punks just want to make pure, unfiltered rock and roll.

“We want to bring the raw energy of rock and punk back into focus,” said leader singer and guitarist Brad Witherstine.

Taking influence from Americana-punk act The Gaslight Anthem, contemporary punk masters Against Me! and Hot Water Music, and classics like Black Sabbath and Bruce Springsteen, The Days Before Empires look to make real music with a real message. Much like those whom they draw inspiration, the band have a knack for sonic blasts of energy with substance. Rather than worrying about what exactly it is to be punk in today’s musical climate, the band focuses on delivering powerful and heart felt anthems.

“It has to come from the heart. That’s where the best art begins, from the heart,” said Witherstine.

“Anything that really goes against the norm, that’s punk rock. Going your own way and doing things your way,” added Page.

Formed in 2011 by Witherstine, the band has evolved out of several incarnations and lineups. Witherstine and Page spent the next few years finding their sound. After parting ways with their founding drummer, the group’s final lineup was rounded out with Arend slamming behind the kit. As stated on the band’s official Facebook page:

“Arend brings a tight and aggressive drumming style to the mix.”

These points are proven with the bands live performances. Songs like “Holding Ground” and “Something In the Night” deliver the intensity of punk in a manner like that of Social Distortion, with thought-provoking lyrics that echo Against Me! On “Radio Streets,” a Gaslight Anthem-meets-Springsteen fist-pumper is employed, indicating that band’s capability of captivity it’s audience.

With a unique blend of originals and adapted covers, The Days Before Empires have already begun their assault on the scene. With highly anticipated live performances schedules for Chipper’s in Austintown, Ohio on March 15 and Fernengels Tavern in Salem, Ohio in Aoril, the buzz is continuing to build for the these new comer punks. However, as those who’ve witnessed their fury in the flesh, The Days Before Empires never disappoint.

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Amnesty for Astronauts. Left to right, guitarist/vocalist Josh Green, vocalist Alyson Byerly, guitarist Chris Byerly, drummer Joe Carbon and bassist Sam Silsbe. Photo courtesy of facebook.com.

Amnesty for Astronauts. Left to right, guitarist/vocalist Josh Green, vocalist Alyson Byerly, guitarist Chris Byerly, drummer Joe Carbon and bassist Sam Silsbe. Photo courtesy of facebook.com.

By Rick Polo (Editor-in-Chief)

The northeast Ohio music scene is a bona fide breeding ground for innovative and unique local talent. Each year, another crop of new artists and projects emerges, continually turning the scene on its side. With a sound consisting of soaring melodic guitars, spacey atmospheric noise and a dual vocal attack, it’s no doubt that Youngstown, Ohio’s Amnesty for Astronauts is poised to be the next standout act of the area.

Like a handful of the area’s current acts, Amnesty for Astronauts consists of veteran musicians coming together from former big name acts. From the infectious grooves of drummer Joe Carbon (ex-Slander, Moral Dilemma) and bassist Sam Silsbe (ex-Erin’s Vineyard), to the gigantic riffs of guitarists Chris Byerly (ex-Relic, Moral Dilemma) and Josh Green, to the dual vocals of Green and Alyson Byerly, the band is solid through and through.

The band said that like most projects, it began naturally through friendships, mutual admiration and the love of music.

“It started out as a few friends getting together jamming in a basement. They called me up and asked, ‘Hey, you want to join the project?'” said Silsbe.

“Joe and I have played together for 18 years now. I was in his first band with Aly, so that’s where our roots are. Joe and I continued to jam ever since,” added Chris Byerly.

Formed over a year and a half ago, the band began to incessantly evolve. With the final addition of Alyson last summer, the sound had officially became solidified.

“With the addition of Aly a couple of months ago, we decided to bring in another singer and really turn it up a notch,” said Carbon.

With a wide pallet of influences, the band effectively blend their eclectic tastes into a unique and fresh sound that is unlike any on the area’s scene. Fusing the dynamic of The Pixies and early Radiohead with thumping grooves and a Hum-meets-Helmet slam of guitars, Amnesty for Astronauts successfully spans the broad spectrum of alternative rock. Evident on tracks such as the soaring “Miss Perfection” and the dream-like “Counting Sheep,” their sound provides no limitations.

“We get in arguments about what we sound like. We don’t really want to stick to a certain genre. And it’s helping us write songs. Every week we’re writing a song. It might sound something completely different than the last one we wrote, but it’s still something we like,” said Green.

“It makes you more versatile. The more you listen to, the more opportunities you have to be inspired,” added Alyson Byerly.

While consistently finding inspiration, the band have not only been pushing themselves forward artistically, but stressing the importance of building their name in unique and entertaining ways. For their first live performance, the band have been hitting the streets for promotion with a flyer resembling a moon-landing reported on the front page of The New York Times.

“You need to show your passion for what you’re doing to people. You can convince people to like what you’re doing if they see how much you like it. Facebook is very impersonal. I think getting out there and meeting the people, that’s what music is all about,” said Carbon.

Amnesty for Astronauts officially takes flight on Saturday, Nov. 23 with their first mission taking place at Chipper’s in Austintown, Ohio for a FREE show alongside Skull’Rz Bane and New Diaries. Exclusive live tracks can be streamed via their Reverb Nation page by clicking here.

Harnessing the Sun live. Left to right, bassist Tom Fratilla, drummer Loren Butz and singer/guitarist Douglas Roberts. Photo courtesy of the band's official Facebook page

Harnessing the Sun live. Left to right, bassist Tom Fratilla, drummer Loren Butz and singer/guitarist Douglas Roberts. Photo courtesy of the band’s official Facebook page.

By Rick Polo (Editor-in-Chief)

Amidst the array of smoke-drenched biker bars and competing classic rock tribute acts that dominate most of the Western-Pennsylvania nightlife, a soulful and hard-rocking power trio has emerged to take the reigns and lead the pack.

Harnessing the Sun, a relatively new three-piece rock and roll unit from the Sharon, Pennsylvania area, burst onto the scene this year with their debut album, Sun Signs.

Consisting of the emotionally matured lyrics and driving riffs of singer and guitarist Doulas Roberts, and the groove-heavy rhythm section of bassist Tom Fratilla and drummer Loren Butz, Harnessing the Sun are a power trio unlike any other witnessed in rock music in nearly 25 years.

The band members have individually been hammering away in separate projects for years, paying their dues and crafting their art. But as of last year, the stars aligned when they joined forces to form Harnessing the Sun.

“We won’t name the establishment, but the three of us have all worked at the same place,” said Roberts. “Tom and Loren began jamming with a couple other guys, but once I stopped going to college, I kinda butted my way in I guess.

“He got roped into it,” joked Butz.

After more than a year’s worth of work perfecting their sound, the band was ready to unleash Sun Signs onto the world. The album kicks off with the upbeat rockers “That’s Right” and “Love You to Death,” before leading into the thought-provoking and inspiring track, “Drop Your Weapons.” From there, the old-fashioned amped-up blues ballad “Whiskey and Smoke” tells a tale almost everyone can relate to at one point or another; job loss and shady folks. The story is told with such soulful swagger and straight-up rocking riffs, the listener immediately takes notice to the range of passion Harnessing the Sun provides.

Another key track on Sun Signs is the bittersweet “Life is Good.” Not exactly a chipper tune, nor is it depressing, but simply real.

“There’s a slight bit of sarcasm in there, but a good dose of reality. We’re forced every day with advertising, it’s shoved down our throat from every angle, whether it’s political or standard advertising to increase commerce. The ramifications of religious advertising are overwhelming. It’s in our face everywhere we turn. You have to make a stand, find your own ground and realize life is good,” said Roberts.

From there, Sun Signs concludes with the up-tempo groovy rocker “Fools” and the energetic “Sea of Madness.”

All in all, Sun Signs is a very concise piece of music, with a wide assortment of emotions in a way similar of the Beatles with The White Album. The songs are all over the place in terms of themes and emotions, yet they’re all there at some point; anger, distress, joy, sorrow and sarcasm. Likewise is the experience of being alive. Life is random, consisting of all said emotions. And life is good.

Harnessing the Sun have also proven themselves a force to be reckoned with in terms of their live performance. The energy and passion of Sun Signs only amplifies when the band plays live. Their captivating live shows around the Youngstown area have began to build a strong buzz for the band, leaving fans wanting more.

“We love what we do and we try to kick ass doing it,” said Fratilla.

Harnessing the Sun will be performing in Youngstown on Nov. 1 at Papa’s Sports Grille alongside Idle Shades and Dakota Spells Disaster. Sun Signs is available on iTunes and can be purchased by clicking here.