The Replacements

All posts tagged The Replacements

By Rick Polo (Editor-in-Chief)

It has been over two decades since the world last heard from Cleveland alternative rock pioneers, Death of Samanatha. The band became one of the key players of the 80’s college rock movement, craving out a unique niche in the scene. But by the later part of the decade, at what seemed as the height of the group’s success, they disbanded and have remained relatively quiet for more than 20 years. Now they’re poised for a comeback with a long-awaited reunion disc spanning their short-lived but highly influential career.

Formed in 1983 by singer and guitarist John Petkovic, guitarist Doug Gillard, bassist David James and drummer Steven Eierdam, Death of Samantha took the scene by storm, becoming one of the first notable alternative/indie rock frontrunners in Cleveland. The infamous first gig at a Ground Round family restaurant has become that of legend. With bizarre stage antics, puck rock ethos and sound primed and ready for college radio, the band quickly rose to recognition, and caught the eye of Homestead Records in 1986.

At the time, Homestead Records, based out of New York, was home to some the biggest names underground rock had to offer at the time, including Sonic Youth, Nick Cave and the Bad Seeds and Dinosaur Jr. The full length debut for the label, Strungout on Jargon, brought the band on the national underground scene. They continued to tour the latter half of the 80’s alongside big names such as The Replacements, The Jesus and Mary Chain, Sonic Youth, Nirvana and the Smashing Pumpkins.

Death of Samantha supporting Sonic Youth in the mid-80's.

Death of Samantha supporting Sonic Youth in the mid-80’s.

Sadly, as their aforementioned touring partners caught major label deals and broke out onto the early 90’s MTV scene, they never stuck it out long enough to ee their break. Following the release of Where the Women Wear the Glory and the Men Wear the Pants in 1988 and Come All Ye Faithless in 1990, Death of Samantha called it quits. A small reunion was attempted in 92, but never got off the ground. The band, whose influence can still likely be heard on rock radio via post-grunge/post-alternative acts (think Bush, Everclear, and perhaps Green Day).

In recent years, the original lineup of Death of Samantha have remained active musically, playing a handful off one-off reunions such as at the Beachwood Ballroom in Cleveland and 4th and 4th Fest in Columbus, Ohio. As of late last year, the have recorded an 18-track double album titled If Memory Serves to be released on Feb. 11 via the band’s St. Valentine Records. It will be their first release in 24 years.

If Memory Serves is comprised of re-recordings of old material. In an interview with the Cleveland Plain Dealer, Petkovek said that the two-disc retrospective has gotten the band’s creative juices flowing, as they are planning more endeavors for the coming months.

“…a lead-in to a tour and a record of all-new material in 2015,” said Petkovek.

With a wealth of 80s indie rock acts such as My Bloody Valentine, The Replacements and the Pixies reuniting and releasing new music, there is no doubt that the time is right for Death of Samanatha to return to the scene and pick up where they have left off. Perhaps nostalgia for some, and a new chapter, new era or even a new beginning for many others.

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The Replacements performing at Riot Fest 2013.

By Rick Polo (Editor-in-Chief)

As another year comes to pass, we again reflect on all that was in music. 2013 was a year that saw many music legends return and sadly, a few of them check out. Heavy hitters like Arcade Fire, Arctic Monkeys and Queens of the Stone Age dropped exceptional high-energy rockers, while relative new-comers Deafheaven, Savages and Disclosure continued to push the limits of artistic integrity. And not to mention there was a slew of colossal comebacks from some of the biggest and most influential forces in music.

Early in 2013, the iconic David Bowie announced a new album, his first of new original material in over a decade. The result was The Next Day. Released in March, The Next Day is a quiet yet moving record that perfectly showcases how gracefully Bowie has aged and how sharp his musical wit still remains.

February saw the release of the highly anticipated third album from Shoegaze/Dream-Pop pioneers My Bloody Valentine. In late 2012, guitarist and mastermind Kevin Shields teased fans saying that an album was being mixed and will be released timely. This was a huge deal for fans, considering that it hade been 22 years since the release of their seminal classic, Loveless. The band followed through, and m b v was released just a little over a month into the year. Not only was it worth the wait, but it proved My Bloody Valentine was still capable of creating really good music as it held up perfectly next to Loveless, and proved itself to be one of the best records of the year.

One of the biggest comebacks of 2013 was certainly the return of Black Sabbath, and for many reasons. It was to be the first new record with original singer Ozzy Osbourne in 35 years. Shortly after the band officially announced their reunion plans in late 2011, guitarist Tony Iommi was diagnosed with cancer. After a year of undergoing treatments, and surviving the unfortunate resignation of original drummer Bill Ward, Black Sabbath released 13 this summer and made the entire spectrum of Heavy Metal drop to its knees. 13 was a crushing, bluesy, heavy-riffing affair that reminded everyone again just why this band was so important to not only Heavy Metal, but Rock and Roll as a whole.

Alternative Rock saw the return of two of its most influential and important figures: Queens of the Stone Age and Nine Inch Nails. QOTSA’s …Like Clockwork, their first record in six years, was a swinging, groove-heavy Rock and Roll party with an all-star cast of guest musicians (Dave Grohl, Julian Casablancas, Trent Reznor, Elton John). Cuts like “My God is the Sun” and “I Appear Missing” hadn’t hit as hard since 2002’s Songs For the Deaf. NIN’s electro-funky Hesitation Marks harked back to 1994’s The Downward Spiral, with an older and more bitter Reznor at the helm. Although not quite as abrasive as their earlier records, new cuts like “Copy of A,” “Came Back Haunted” and “In Two,” as well as the highly visual and conceptual Tension 2013 North American Tour, still hold Nine Inch Nails to their standard of crushing electronic heaviness and dark prowess.

Don’t call it a comeback, they’ve been here for years… Industrial-tinged Alt-Metalers Filter delivered The Sun Comes Out Tonight, their most concise and impactful record since their 1999 hit, Title of Record. Led by the singles “What Do You Say” and “Surprise,” the band are seeing a career renaissance, as fans continue to discover and rediscover their severely underrated and under-the-radar releases, 2008’s Anthems For the Damned and 2011’s The Trouble with Angels.

Indie Rock pioneers Neutral Milk Hotel and The Replacements also had quite the eventful summer in 2013, both returning from decade-long hiatuses. Neutral Milk Hotel returned for a handful of festival dates and small venue affairs, hinting at the possibility of new material in 2014. Elliott Smith resurrected the legendary Replacements for a handful of performances as well as a covers EP. New material hasn’t been confirmed, but fans remain hopeful entering the new year that The Replacements haven’t quite said everything that they need to just yet.

Finally, with 2014 looming, Art-Rockers Failure and Hip-Hop titans Outkast have announced reunion performances throughout 2014, leaving fans ecstatic for the possibility of extensive tours and new material.

Unfortunately, 2013 had it’s share of major losses in the world of music. Country music legends George Jones and Ray Price bid farewell, passing away of natural causes after leading long and wonderful careers. Deftones bassist Chi Cheng, who was placed in a semi-conscious coma following a motorcycle crash in 2008, passed away on April 13. Thrash Metal experienced a major loss when one of its key players, Slayer guitarist Jeff Henneman, passed away on May 2 due to complications following a spider bite. The Doors’ iconic composer and keyboardist, Ray Manzarek, succumbed to cancer at age 71 on May 20. In many ways, Manzarek remains the father Psychedelic music, as his signature atmospheric organ tones provided the perfect backdrop to Jim Morrison’s gothic poetry and soulful swagger. And last but certainly not least, Oct. 27 saw the passing of the legendary Lou Reed. Reed was the founder of 60’s Art-Rock trailblazers The Velvet Underground and enjoyed an extremely successful and influential solo career that continued right up until his death.

Although 2013 saw the loss of a major chunk of diverse and influential musicians, there is no doubt their work will love on in the years and generations to come!